Korean Films Verbal Series
Speak on Korean Cinema: The Renaissance of Korean Films 3
Verbal Series 4 published by the Korean Film Archive.
This book is based on interviews with Kim Young-hee (editor), Kim Jin (planner), Kim Hye-jeong (actress), Park Jin-soo (lighting), Shim Wu-seob (director), Lyou Jae-hyoung (photography), Lee Jae-woong (sound recording), Jeon Gye-hyeon (actress), Jeon Gyeong-seob (theater), and Cho Kyung-hwan (art director), who went into the motion picture world around 1960 and cultivated the renaissance of the Korean film industry. The book not only covers directors, actors, and actresses; it also lists various stories behind the cinema world by extending its coverage scope to technical personnel for photography, lighting, editing, etc., and to planning, theaters, etc. that have drawn little historical attention. It contains the film elders’ long-ago-told testimonial stories from cinematic experiences in cities and provincial areas during the Japanese colonial rule to the landscapes of the film world in the late 1950s and 1960s and to collaborative films between Korea and Hong Kong in the 1970s as well. The value of the book as a Korean film history study book is heightened by supplementing it with a bibliographical explanation of each film elder by researchers, a detailed table of contents, keywords, and indexes. It also has an appendix containing a list of cinema people and their organizational charts, thus providing deeper information to the researchers of Korean film history and the general public. ？
This book is based on interviews with Kim Young-hee (editor), Kim Jin (planner), Kim Hye-jeong (actress), Park Jin-soo (lighting), Shim Wu-seob (director), Lyou Jae-hyoung (photography), Lee Jae-woong (sound recording), Jeon Gye-hyeon (actress), Jeon Gyeong-seob (theater), and Cho Kyung-hwan (art director), who went into the motion picture world around 1960 and cultivated the renaissance of the Korean film industry. The book not only covers directors, actors, and actresses; it also lists various stories behind the cinema world by extending its coverage scope to technical personnel for photography, lighting, editing, etc., and to planning, theaters, etc. that have drawn little historical attention. It contains the film elders’ long-ago-told testimonial stories from cinematic experiences in cities and provincial areas during the Japanese colonial rule to the landscapes of the film world in the late 1950s and 1960s and to collaborative films between Korea and Hong Kong in the 1970s as well. The value of the book as a Korean film history study book is heightened by supplementing it with a bibliographical explanation of each film elder by researchers, a detailed table of contents, keywords, and indexes. It also has an appendix containing a list of cinema people and their organizational charts, thus providing deeper information to the researchers of Korean film history and the general public. ？
연구진 :
이순진(중앙대학교 첨단영상대학원 박사 수료)
공영민(중앙대학교 첨단영상대학원 석사 수료)
심혜경(중앙대학교 첨단영상대학원 박사 과정)
배수경(중앙대학교 첨단영상대학원 석사 졸업)
한미라(중앙대학교 첨단영상대학원 석사 졸업)
이순진(중앙대학교 첨단영상대학원 박사 수료)
공영민(중앙대학교 첨단영상대학원 석사 수료)
심혜경(중앙대학교 첨단영상대학원 박사 과정)
배수경(중앙대학교 첨단영상대학원 석사 졸업)
한미라(중앙대학교 첨단영상대학원 석사 졸업)